By: Michael Kimmelman
It is a nice surprise to find a celebration of amateur and professional art together in a book authored by the head art critic of the New York Times. The subtitle, On the Art of Life and Vice Versa explains Kimmelman's MO- to investigate how artists have integrated their lives into their art and how their art has become part of their lives. Although the idea "write what you know" is familiar to all writers (and no doubt has been extrapolated by all types of creatives- paint what you know, sculpt what you know, cook what you know... well, maybe not...), The Accidental Masterpiece illustrates the significance of this statement. However, Kimmelman describes his purpose better than I can:
This book is, in part, about how creating, collecting, and even just appreciating art can make a living a daily masterpiece. I don't mean that every day becomes perfect if we enjoy art. But having spent much of my own life looking at it, I have come to feel that everything, even the most ordinary daily affair, is enriched by the lessons that can be gleaned from art: that beauty is often where you don't expect to find it; that it is something we may discover and also invent, then reinvent, for ourselves...
He illustrates these points through various examples- he writes about Frank Hurley, a photographer who found himself stranded in the Antarctic in 1911, and documented his life, the ship that he just missed, and the landscape around him. He also writes about Charlotte Salomon, who detailed her life as a Jew living in pre-war Germany in a journal of writings and paintings. Now, we don't all lead lives in such circumstances. However, he also writes about people who collect light bulbs, and construct their meanings in new and unique ways for themselves.
Art should be informed by how you live because each of us have something important to say. This is a useful message for artists and art teachers, as we struggle to make meaningful art; and its something we all know, Kimmelman just makes that idea very accessible.
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